Performed in the round and integrating direct audience engagement, the program included the following works:
ruddha (rude, huh?)
written, choreographed and performed by Cynthia Ling Lee
based on traditional kathak compositions learned from Bandana Sen and Anjani Ambegaokar

ruddha (rude, huh?) is a series of "false translations" of traditional kathak compositions, where North Indian rhythmic syllables transform into nonsensical English gossip, and idiosyncratic postmodern movement suddenly shifts into classical kathak. The work careens between classical and street aesthetics to reveal the friction, dialogue, and humorous misunderstandings inherent to cultural collision.
dreaming in taal
choreographed by Cynthia Ling Lee
performed by David Cutler and Cynthia Ling Lee
music by David Cutler based on a rhythmic composition by Lenny Seidman

A sinuous, dream-like contemporary kathak work driven by unconventional cross-rhythms and haunting melodies. Material for dreaming in taal was developed at The Swarthmore Project, a residency program for choreographers and dancers sponsored by Swarthmore College, Swarthmore, PA.
Super Power
composed and performed by David Cutler

Super Power is an aggressive, rhythmic, virtuosic episode inspired by comic strip characters. It is a battle of epic proportions between a Superhero pianist and an invisible Supervillain. Will our hero be able to save the day? Will our nemesis destroy concerts as we know it? Will the audience be able to survive this trauma? Stay tuned to find out…
You Ain’t Never Gonna Get Me Down
performed by David Cutler and Cynthia Ling Lee

The blues meet contact improvisation in a playful, rough-and-tumble work in which even the rudest interruption can’t keep the pianist from playing the blues.
Nine-Patch
choreographed and performed by Cynthia Ling Lee
composed and performed by David Cutler
based on traditional kathak compositions learned from Bandana Sen and Anjani Ambegaokar

Veering between in-your-face funk, explosive extremes, and poignant gestures, jazz/new music composer Cutler creates wildly new harmonies, melodies, and textures based on traditional kathak rhythms. Lee plays a dancing trickster who gleefully engages in identity theft, shape-shifting between different characters and movement vocabularies while staying impeccably in time.
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